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Every friendship is different, unique, one of a kind, and irreplaceable. Every friendship even has its own color, taste, and smell. Maybe your friendships are red and smell like jam? Or maybe they are yellow and warm like the sun? Nowhere else will you find two friendships that are exactly the same, just as nowhere else will you find a friendship like that of Gerald the elephant and Patricia the mouse. This is a heartfelt and humorous story about two completely different friends and how the differences between us can become bridges rather than walls.
„Kindred“ is a masquerade of desire, identity, and the search for love, where four young women try on various social and cultural masks. Caught in absurd and complex situations, they navigate between self-expression and societal expectations, embodying the fluid nature of love in the modern world. "What happens on stage is not necessarily serious—it can be satirical or provocative. While working on this production, I didn’t want to sympathize with or pity the characters but rather to laugh at the absurd emotional entanglements they get caught up in," says director Povilas Barzdžius.
Gaja-Mara is an interactive musical movement performance that tells the story of the time of light (Gaja) and dark (Mara) through folkloric holiday songs, games, rituals and folklore used in the ancient Baltic tradition.
The performance is intended for audiences aged 10 and up.
The life of the teenage boy Karolis is a delicate dance between a passion for the mysteries of the cosmos and the challenges of communication with others. Karolis, who has an autism spectrum disorder, perceives the world as a vast cacophony, where every sound, taste, touch, and smell is intensified, making things that are familiar to us seem alien to him. The safest place for him is his room—a refuge that he transforms into a spaceship, embarking on extraordinary journeys to distant planets in search of his (neuro)tribe—a community that truly understands him.
It is strange to think that just a century and a half ago, there were no airplanes, no cinema, and no electronic music in the world. Flying in an iron bird was... simply impossible. The story of Icarus, known in our culture since ancient times, tells of man's attempt to fly, or in other words, to achieve the impossible. Professional dancer Džiugas Kunsmanas takes a particularly creative look at this story.
The chamber opera "The Sailor" is based on the only play by Portuguese writer Fernando Pessoa. It is a meditation on the nature of dreams and reality. The opera tells the story of three sisters keeping vigil over the urn of their fourth sister, who has died. To pass the time, they share memories of past moments they may never have experienced and dreams, one of which is about a sailor who finds himself on an uninhabited island. Inspired by these stories, the sisters question the nature of reality, death, and dreams: perhaps they themselves are just illusions of the imagination of an unknown dreamer?
Today, fast spirituality practices are used not only for personal recreational purposes, but also as a team building tool for employees of companies large and small. Burnt out after trying to self-actualise and having put themselves in an unrealistic healthy lifestyle framework (eight hours for sleep, eight hours for self, eight hours for work), the employees of a small company of festive balloons go for a team-building spiritual development camp.
Have you ever felt childhood slipping further away, even though its echoes still linger in your heart? Peter Pan is a fairytale for adults, but not necessarily for those who feel that way.
Imagine this: before Wendy’s eyes, a strange boy keeps flickering. He appears like a whisper – gentle as a spring breeze, distant as a mirage. And when Peter finally shows up in all his essence – playful, carefree, full of secrets – the girl receives an offer her adventure-hungry heart cannot resist.
Strings Attached speculates about the foundational desire of every human being to bond, belong, and be whole with someone else. Rendered as a movement-based performance, the work enters the never-ending debate on the nature of love. We twist and turn, hop and wheel around common notions of intimacy and connection, recalling Plato's story of Original Humans—spherical beings with two bodies and two faces—who were separated by the gods and condemned to eternally search for their other halves. The intertwining of movement, gesture, vocalisation, and poetry readings brings to life stories of social connections forged in moments of intense vulnerability.
