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Kiekviena draugystė yra kitokia, išskirtinė, vienintelė ir nepakartojama. Kiekviena draugystė turi net savo spalvą, skonį ir kvapą. Gal tavo draugystės raudonos ir kvepia kaip džemas? O gal geltonos ir šildo kaip saulė? Niekur nerastum dviejų tokių pačių draugysčių, kaip ir niekur kitur nerasi tokios draugystės kaip dramblio Džeraldo ir pelytės Patricijos. Tai – nuoširdus ir kupinas humoro pasakojimas apie du visiškai nepanašius draugus ir tai, kaip skirtumai tarp mūsų gali tapti tiltais, o ne sienomis.

„Kindred“ is a masquerade of desire, identity, and the search for love, where four young women try on various social and cultural masks. Caught in absurd and complex situations, they navigate between self-expression and societal expectations, embodying the fluid nature of love in the modern world. "What happens on stage is not necessarily serious—it can be satirical or provocative. While working on this production, I didn’t want to sympathize with or pity the characters but rather to laugh at the absurd emotional entanglements they get caught up in," says director Povilas Barzdžius.

Gaja-Mara is an interactive musical movement performance that tells the story of the time of light (Gaja) and dark (Mara) through folkloric holiday songs, games, rituals and folklore used in the ancient Baltic tradition.

The performance is intended for audiences aged 10 and up.

The life of the teenage boy Karolis is a delicate dance between a passion for the mysteries of the cosmos and the challenges of communication with others. Karolis, who has an autism spectrum disorder, perceives the world as a vast cacophony, where every sound, taste, touch, and smell is intensified, making things that are familiar to us seem alien to him. The safest place for him is his room—a refuge that he transforms into a spaceship, embarking on extraordinary journeys to distant planets in search of his (neuro)tribe—a community that truly understands him.

It is strange to think that just a century and a half ago, there were no airplanes, no cinema, and no electronic music in the world. Flying in an iron bird was... simply impossible. The story of Icarus, known in our culture since ancient times, tells of man's attempt to fly, or in other words, to achieve the impossible. Professional dancer Džiugas Kunsmanas takes a particularly creative look at this story.

Using physical comedy, contemporary circus, and everyday objects, the artist transforms into a dreamer who actively pursues his desires, though not always successfully. The hero's adventures on stage are complemented by early cinema footage and a soundtrack created from a collection of unique-sounding early electronic musical instruments.

Ikaras won the sketch competition for the play Išeities taškas (Starting Point) in 2024. This is Džiugas Kunsmanas' first independent authorial play.

Kamerinė opera „Jūreivis“ sukurta pagal vienintelę portugalų rašytojo Fernando Pessoa pjesę. Tai – meditacija apie svajonės ir realybės prigimtį. Operoje pasakojama apie tris seseris, budinčias prie ketvirtosios – mirusios – sesers urnos. Kad praleistų budėjimo laiką, jos dalijasi prisiminimais apie savo galbūt niekada nepatirtas praeities akimirkas ir svajonėmis, iš kurių viena – apie Jūreivį, atsidūrusį negyvenamoje saloje. Pasakojimų paskatintos seserys kvestionuoja realybės, mirties ir svajonės prigimtis: galbūt jos pačios tėra nežinomo svajotojo vaizduotės iliuzijos? 

Today, fast spirituality practices are used not only for personal recreational purposes, but also as a team building tool for employees of companies large and small. Burnt out after trying to self-actualise and having put themselves in an unrealistic healthy lifestyle framework (eight hours for sleep, eight hours for self, eight hours for work), the employees of a small company of festive balloons go for a team-building spiritual development camp.

Have you ever felt childhood slipping further away, even though its echoes still linger in your heart? Peter Pan is a fairytale for adults, but not necessarily for those who feel that way.

Imagine this: before Wendy’s eyes, a strange boy keeps flickering. He appears like a whisper – gentle as a spring breeze, distant as a mirage. And when Peter finally shows up in all his essence – playful, carefree, full of secrets – the girl receives an offer her adventure-hungry heart cannot resist.

Strings Attached speculates about the foundational desire of every human being to bond, belong, and be whole with someone else. Rendered as a movement-based performance, the work enters the never-ending debate on the nature of love. We twist and turn, hop and wheel around common notions of intimacy and connection, recalling Plato's story of Original Humans—spherical beings with two bodies and two faces—who were separated by the gods and condemned to eternally search for their other halves. The intertwining of movement, gesture, vocalisation, and poetry readings brings to life stories of social connections forged in moments of intense vulnerability.